Перевод и анализ слов искусственным интеллектом ChatGPT
На этой странице Вы можете получить подробный анализ слова или словосочетания, произведенный с помощью лучшей на сегодняшний день технологии искусственного интеллекта:
- как употребляется слово
- частота употребления
- используется оно чаще в устной или письменной речи
- варианты перевода слова
- примеры употребления (несколько фраз с переводом)
- этимология
you haven't missed much - перевод на русский
![Robert Smirke]] (n.d.)](https://commons.wikimedia.org/wiki/Special:FilePath/'Much Ado About Nothing', Act IV, Scene 2, the Examination of Conrade and Borachio (from the Boydell series) Robert Smirke (1753–1845) Royal Shakespeare Theatre.jpg?width=200 "Robert Smirke]] (n.d.)")
![''Beatrice, Hero and Ursula'', John Jones, after [[Henry Fuseli]] (c. 1771)](https://commons.wikimedia.org/wiki/Special:FilePath/Beatrice, Hero and Ursula, John Jones, after Henry Fuseli.jpg?width=200 "''Beatrice, Hero and Ursula'', John Jones, after [[Henry Fuseli]] (c. 1771)")
![John Sutcliffe]]: Beatrice overhears Hero and Ursula.](https://commons.wikimedia.org/wiki/Special:FilePath/Beatrice overhears Hero and Ursula.jpg?width=200 "John Sutcliffe]]: Beatrice overhears Hero and Ursula.")
![[[John Gielgud]] and [[Margaret Leighton]] in the 1959 Broadway production of ''Much Ado About Nothing''](https://commons.wikimedia.org/wiki/Special:FilePath/Gielgud and Leighton in Much Ado 1959.jpg?width=200 "[[John Gielgud]] and [[Margaret Leighton]] in the 1959 Broadway production of ''Much Ado About Nothing''")
![''Hero'', [[John William Wright]] (c.1849)](https://commons.wikimedia.org/wiki/Special:FilePath/Hero, Much Ado About Nothing, John William Wright.jpg?width=200 "''Hero'', [[John William Wright]] (c.1849)")
![Print of [[Ellen Terry]] as Beatrice and [[Henry Irving]] as Benedick in an 1887 performance of the play](https://commons.wikimedia.org/wiki/Special:FilePath/Irving and Terry as Benedick and Beatrice.jpg?width=200 "Print of [[Ellen Terry]] as Beatrice and [[Henry Irving]] as Benedick in an 1887 performance of the play")
![[[John Gielgud]] as Benedick in a 1959 production](https://commons.wikimedia.org/wiki/Special:FilePath/JG-Benedick-1959.jpg?width=200 "[[John Gielgud]] as Benedick in a 1959 production")
![Drawing of [[Herbert Beerbohm Tree]] as Benedick and [[Winifred Emery]] as Beatrice in a 1905 production. Act II, Scene v: "Kill Claudio".](https://commons.wikimedia.org/wiki/Special:FilePath/Kill Claudio.jpg?width=200 "Drawing of [[Herbert Beerbohm Tree]] as Benedick and [[Winifred Emery]] as Beatrice in a 1905 production. Act II, Scene v: \"Kill Claudio\".")
![Swooning of Hero in the Church scene by [[Alfred Elmore]]](https://commons.wikimedia.org/wiki/Special:FilePath/Much Ado About Nothing by Alfred Elmore 1846.jpg?width=200 "Swooning of Hero in the Church scene by [[Alfred Elmore]]")
['benidik]
синоним
существительное
общая лексика
новобрачный, изменивший своему намерению никогда не жениться (по имени героя комедии Шекспира 'Много шума из ничего')
Википедия
"You Haven't Done Nothin" is a 1974 funk single by Stevie Wonder, taken from his album Fulfillingness' First Finale and featuring background vocals by The Jackson 5. The politically aware song became Wonder's fourth Number 1 pop hit and his tenth Number 1 soul hit. It also reached Number 1 in Canada. In the UK the single spent five weeks on the chart, peaking at Number 30.
The song was one of his angriest political statements and was aimed squarely at President Richard Nixon, who resigned two days after the record's release. The Jackson Five sing the words "Doo da wop!" repeatedly in the chorus, when Wonder sings "Jackson 5, join along with me, say". The song also features a thick clavinet track and an early appearance of the drum machine. The B-side "Big Brother", also a political statement, was taken from Wonder's 1972 album Talking Book.
Billboard described "You Haven't Done Nothin'" as being "exceptionally powerful" and more subtle than most protest songs, particularly praising the synthesiser arrangement and the vocal performance. Cash Box called it a "super track filled with the memories of the great 'Superstition' a while back" and said that "musically, horns, keyboards, bass and guitar highlight and vocally, aside from Stevie's magic, the Jackson 5 is right in there on 'doo wops.'" Record World called it "a message song to end them all" in which Wonder "deals directly with those who'd only promise their way to a better world."
